Rating: 3.5 / 5 Reviewer: David Coats
Australian-born Sally Seltmann released two LPs under her New Buffalo moniker before rising to fame as co-writer of Feist’s 2007 monster single ‘1234.’
Posted in Music Reviews, Rock + Pop
Rating: 4 / 5 Reviewer: David Coats
Bursting onto the scene with 2007’s Sticking Fingers Into Sockets EP, and followed by two of 2008’s best full-lengths (Hold On Now, Youngster and We Are Beautiful, We Are Doomed), Los Campesinos! quickly earned a reputation as one of indie rock’s wittiest, most energetic, and most authentic punk [...]
Posted in Music Reviews, Rock + Pop
Rating: 3 / 5 Reviewer: David Coats
Closer to the Bone, the follow-up to Kris Kristofferson’s 2007 comeback This Old Road, is a sentimental album that sees Kristofferson more about reflective contentment than larger-than-life storytelling.
Posted in Folk + Roots, Music Reviews
Rating: 3 / 5 Reviewer: David Coats
Amy Millan’s first solo release, 2006’s Honey From the Tombs, was a stylistic surprise, as she seemingly turned 180 degrees from her Stars and Broken Social Scene gigs, and made a record of lonely, weary country songs. Though she did more or less pull it off, there was [...]
Posted in Country + Western, Folk + Roots, Music Reviews
“I hope you catch syphilis and die alone.”
And with that, so begins the third album from Chicago’s Scotland Yard Gospel Choir.
Posted in Featured Review, Music Reviews, Rock + Pop, Top Rated
Rating: 4.5 / 5
Reviewer: David Coats
“Gentleman” Reg Vermue (late of The Hidden Cameras) went through something of a dry spell between the demise of his previous label, Three Gut, and releasing Jet Black, his first LP for Arts & Crafts.
Posted in Music Reviews, Rock + Pop, Top Rated
Rating: 3.5 / 5
Reviewer: David Coats
Jack White’s third concurrent band, The Dead Weather, sees White return to his original instrument, drums, leaving vocal duties in the capable hands of The Kills’ Alison Mosshart, guitars to Dean Fertita (Queens of the Stone Age), and bass to Raconteurs bandmate Jack Lawrence.
Posted in Music Reviews, Rock + Pop
2007’s National Anthem Of Nowhere saw Canadian indie rock veterans Apostle Of Hustle at the top of their game, expertly balancing distinctive melodies and rhythms in full, polished arrangements. Eats Darkness, with its conceptual theme of examining reality’s ugly and violent elements …
Posted in Featured Review, Music Reviews, Rock + Pop
